4.12 Chapter 4 Summary
Week 4 Summary
In this lesson, we explored the techniques and concepts essential for teaching and playing woodwind instruments. We began by examining the woodwind instrument family, identifying the three categories of wind instruments (brass, edge-blown, and reed aerophones) and the common characteristics that unite the woodwinds. We then studied each instrument individually, starting with the flute as an edge-blown aerophone, followed by the single-reed instruments (clarinets and saxophones) and the double-reed instruments (oboe, English horn, and bassoon). For each instrument, we learned about its physical features, sound production, range, tone quality, variations, and proper embouchure and posture.
We then turned to refining and expanding skills on woodwind instruments. Articulation techniques were covered, including single-tonguing and double-tonguing strategies. We worked through vibrato exercises, starting with the image of panting like a dog and adding rhythmic variations with a metronome. A resonance experiment showed how humming with teeth touching and covering the nostrils reveals vibrations in the nasal and oral cavities. Understanding these principles improves individual performance and equips educators with strategies to address common student challenges.
We connected these woodwind topics to practical teaching resources, reviewing method books, etudes, and exercises for each instrument: flute, clarinet, saxophone, oboe, and bassoon. By combining a solid understanding of woodwind mechanics with thoughtful teaching strategies, educators are better prepared to guide their students in building strong foundations that will support their growth as musicians.
Looking Ahead to Class
Please come prepared to practice teaching a woodwind student. If you play a woodwind instrument, please bring your instrument, extra reeds, and any other practice equipment you'd like to share with the class.
Sources
- Bret Pimentel, Woodwind Basics (2017)
- Bret Pimentel's Woodwind Blog
- Woodwind Fingering Diagram Builder — Bret Pimentel
- Wikipedia — Woodwind Bores
- Woodwind Exercises and Etudes (Google Sheet)
- Flutist.com
- Orchestra Excerpts — Flute
- Bulletproof Musician — Keith Underwood on Breathing
- International Clarinet Association
- UNT — Fundamentals of Sound Production (PDF)
- Orchestra Excerpts — Clarinet
- North American Saxophone Alliance
- International Saxophone Academy
- Frederick Hemke's Teacher's Guide to Saxophone (PDF)
- Matt Langley Saxophone Resources
- International Double Reed Society — Fingerings
- Jacqueline Leclair — Contemporary Oboe Techniques
- Orchestra Excerpts — Oboe
- Music and the Bassoon — Kristin Wolfe Jensen
- David Wells — Bassoon Fingering Charts
- The Orchestral Bassoon
- Teaching Beginning Bassoon — Jen Auerbach (Texas Bandmasters)
- Vienna Symphonic Library — Woodwind Instruments